Alonzo Troy Humphrey

Chief Teefie, marker on Strathmore paper, 24″ x 24″, Alonzo Troy Humphrey


Alonzo Troy Humphrey, 12th Annual Juried Art Show and Sale at Off the Wall Gallery at Dirty Frank’s

Today I really screwed up at work. I told my art partner I’d have the money, I knew where the money was but I had spoken too soon. My boss says if it’s not going to have an impact in five years, don’t worry about it; the adrenaline rush is a trip, though. My art partner, Alonzo Troy Humphrey, is creating images in a stream of consciousness, to interrupt with mere monetary concerns while he draws stories of Chattanooga, Philly and Africa in sweeping lines from a sharpie marker is counter-productive. Alonzo is well known for his marker drawings of thoughtful memories and cultural metaphors. Going into Alfred Pennyworth mode, I contacted the guy at the place with the money and we all synchronized our our watches for the ritual business exchange of culture for commerce.

The place with the money is Off the Wall Gallery at Dirty Frank’s, and the man is Togo Travalia. Wearing a grey suit and melon hued tie, Togo met Alonzo Troy Humphrey, along with Katy the Art Dog and I, at the 12th Annual Juried Art Show and Sale on the corner of 13th and Pine Streets on a chilly afternoon the day before Thanksgiving. The famous dive bar has hosted art shows since 1978, the juried art shows and special exhibitions are inevitably mind blowing. And Alonzo’s mind was blown with the show. The place wasn’t crowded except for a few day drinkers so we could really see the exhibition of 44 outstanding works, and Alonzo’s art really pops in the heady mix. Both of his entries had sold and he won the juries #BlackLinesMatter award, a topical pun with real world relevance, the exchange between artist and gallery manager went down in the booth by the vitrine in the corner.

alonzo1

Miss Timma, marker on card stock, 11″ x 8.5″, Alonzo Troy Humphrey

Togo, the business man, thanked Alonzo so sincerely for his participation in the show and told him how proud he was of his accomplishments I was moved to tears; Alonzo has been exhibiting and selling at Dirty Frank’s for over five years. Explaining how by creating, making, marking and participating, his art was contributing to the community at large, Togo encouraged Alonzo to continue his pursuit. Alonzo told Togo about a new drawing he’s working on about boxers duking it out in the ring. The drawing of Chief Teefie sold before the show was even hung and Miss Timma sold the first day. The Under $100 theme offers a unique opportunity to purchase art by Philadelphia artists that is affordable and professionally curated. Full disclosure, not only am I Alonzo’s art partner, I participated in the jury.

Before you freak out, this practice is not uncommon since the juries are usually made up of artists and entrepreneurs who have participated in Philly arts, no deference was given to Alonzo’s work, my influence on the jury was literally one of five votes. Two of his three entries survived the cut from 175 artworks vying for some of the available 45 spots. The elimination process is simple, five jurors vote on each entry, majority rules. When a participants work is reviewed they leave the room and Togo or Jody add their voice. This winnows out the most popular pieces as voted on by a group of contemporaries attuned to the Philadelphia art scene. The process takes hours and each piece is considered carefully and fairly. Being included in the jury is such an honor, the team at Off the Wall Gallery at Dirty Frank’s assembled a group of Philly’s art influencers, social practitioners and artists to create an art show that is beautiful and inspiring.

Since I had already entered the show before I was asked to be on the jury I felt comfortable that my prejudice for Alonzo’s art would be balanced, although, I must say that Alonzo Troy Humphrey is a unique and special voice in the art conversation of Philly that deserves to be heard. He’s been participating in art shows for years, his drawings speak in a language of marks that leave a trail of time, whether it’s a swift sure handed swipe with the marker, or deep layers of ink driven through liminal space into the paper until the surface nearly shreds and the markers are worn to nubs. As the shadow lines grow, his images of the solitary woman on the porch in a rocker, the homeless man, the black cowboy, the African chieftains by the sea emerge with liveness from the lines then over time fade to black. Humphrey’s drawings are about telling a story in symbols, signs and metaphors; moments in time expose episodes in the artists life that are serene, poignant and exciting.

Written and photographed by DoN Brewer

Off the Wall Gallery at Dirty Frank’s 12th Annual Juried Art Show and Sale through December 26th, 2016.

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CORRESPONDENCIA, Community Futures Lab

#CORRESPONDENCIA, Community Futures LabLuz Elvira Torres, México

#CORRESPONDENCIA at Community Futures Lab

Alien Architect, Cohen Asher reached out to me through social media to attend a pop-up event at Community Futures Lab, 22nd & Ridge Ave. The thing was I had my own event, a large group show of the Photographic Society of Philadelphia at The Plastic Club, that Sunday afternoon and I wasn’t sure I would have the energy to go. But, he showed up at The Plastic Club with his guest from Mexico City, artist Rebeca Martell, in town, and I had the pleasure of describing the history of the artist run gallery/studio to her. Rebeca expressed her admiration of the long history of the art club and it felt special to introduce an international woman artist to the space. Cohen Asher, like an alien architect, is so ebullient and full of vibrant energy, and love, I knew I’d spring for an Uber ride to Sharwood.

Both Cohen and Rebeca produce Social Practice art events, the #CORRESPONDENCE started at 5:00, but since the duo visited me downtown the show was still in the process of being popped up when I arrived. Being the pushy snoop, I let myself into the gallery space and sat on the floor while Rebeca installed the group show of international artists. Photographs were aligned along a light box, watercolors and prints arranged informally, a relaxed installation of artworks to entertain and inform the viewers. We talked about being an artist in Mexico City, with a population of twenty two million people, and how funding for grants is controlled by the government. Creating social practice events that expose inequity and spotlight social disinformation through art is not going to win grants. It does however create a spirit of community that transcends doctrine and dogma.

Community Futures Lab is a store front space that brings together artists and thought leaders in the community of Sharwood. Being on Ridge Ave. reminded me of when the housing bubble popped and artists were asked to install galleries in the empty stores along the once bustling South Street. It seems to me that artists rise to the challenge time and again to raise awareness, energize spaces and communities, inspire the neighbors and bring together people to promote quality of life. Being part of a global community by being involved in the arts is inspiring and transcends speech and language with visual code, color and narrative that some don’t understand. Those that ‘don’t get’ art still benefit even if they don’t consciously realize it, believe in art’s value or understand why it works so well.

#CORRESPONDENCE

The universe of art connects along an ocean of dots. Each dot is a workstation, where a mind takes brushes or chisels to trace the vortex where the shape, texture and color are aligned within an idea.

Correspondence, Community Futures Lab

#CORRESPONDENCIA, Community Futures LabRobert Weissenbacher, watercolor, Germany, and Olivia Eliash, Chile

Each station fulfills its part in the concert of symbols. Each symbol has its pair in another mind, each bet resonates in many others, choral singing aesthetic, adding tunes, basting the syntax in which the iconographic manifesto of a time is recorded.
The artist is immersed in an inner search of that sign to consider the transferable moment of its uniqueness, correspondence waits in some other unexpected point in the universe of the creators.
A small town in deep Hungary, joins some of those dots generating unexpected correspondences, here’s a symbolic tribute to those open doors.

Correspondence, Community Futures Lab

#CORRESPONDENCIA, Community Futures LabDevin Cohen Asher, Alien ArchitectEstados Unidos, paintings

El artista se sumerje en una búsqueda interior de esa insignia que considere el momento intransferible de su singularidad, la correspondencia aguarda en algún otro punto insospechado del universo de los creadores.
Un pequeño pueblo en Hungría profunda, une algunos puntos generando correspondencias inesperadas, he aquí un homenaje simbólico a esas puertas abiertas.

CORRESPONDENCIA, Community Futures Lab

#CORRESPONDENCIA, Community Futures LabFiczek Ferenc, Hungría

Olivia Eliash, Chile
Luz Elvira Torres, México
Gerardo Nolasco Magaña, México
Robert Weissenbacher, Robert Weissenbacher – Kunst Alemania, Germany
Ficzek Ferenc, Hungría
Devin Cohen Asher, Alien Architect / Cohen Asher Estados Unidos
Rebeca Martell, México

CORRESPONDENCIA, Community Futures Lab

#CORRESPONDENCIA, Community Futures LabFiczek Ferenc, Hungría

Rebeca Martell (MX), who earlier this year exhibited her incredible solo exhibition “Always Somewhere” in Fototeca Juan C. Méndez on June 2nd in Puebla, Mexico, is currently engaged in documenting cultures as she works as freelance photographer and international correspondent for music magazines. Rebeca Martell, along with Devin Asher Cohen (also known as Alien Architect or Cohen Asher) have a gallery named Liliput in Puebla, Mexico which has an amazing artist residency.

Correspondence is a touring international contemporary collective group art exhibition. All of the artists’ who’s pieces are in Correspondence met in Hungary. Thus far the exhibition was first in Puebla, Mexico at Liliput September 3rd, 2016. Then traveled here to Philadelphia’s Community Futures Lab October 2nd, 2016. And soon travels to the upcoming exhibition spaces, which shall be announced soon.” – Cohen Asher

CORRESPONDENCIA, Community Futures Lab

#CORRESPONDENCIA, Community Futures LabLuz Elvira Torres, México

“Community Futurisms: Time & Memory in North Philly” is a social practice, collaborative art, and ethnographic research project exploring oral histories, memories, alternative temporalities, and futures within the North Philadelphia neighborhood known as Sharswood/Blumberg. The area is currently undergoing a major redevelopment project after years of deep poverty, educational inequality, and high crime. “Community Futurisms” will document the redevelopment of Sharswood/Blumberg, through an multidisciplinary community art project that explores the intersections of futurism, literature, visual remixing, sound, and activism as art.

The goal of the Community Futures Lab is to collect, preserve, and share the Sharswood-Blumberg community’s memories and stories for future generations. We are looking for anyone who has ever lived in the neighborhood, and people who still live in the neighborhood and surrounding areas.

A project of The AfroFuturist Affair/Black Quantum Futurism Collective, supported in large part by A Blade of Grass
http://www.abladeofgrass.org/fellow/black-quantum-futurism/
BQF Collective is inspired by afrofuturism, quantum physics, and african traditions of spatial-temporal consciousness. They weave science fiction realities with african concepts of time, ritual and sound to present innovative works that offer practical ways to escape time loops, oppression vortexes and the digital matrix.

This project is not affiliated with the Philadelphia Housing Authority or the City of Philadelphia

For more info, please contact: ab@gmail.com

CORRESPONDENCIA, Community Futures Lab

Philadelphia’s volunteerism is extraordinary, authentic curiosity and experimentation has always been the blood that runs through the heart of the art scene. Philly is that rare city with rival art schools, rival art clubs, rival artist studios and a multitude of opportunities to show art in bars, coffee houses, restaurants… City Hall even has an art gallery. Philadelphia is a great place to make art happen.

Social practice is an art medium that focuses on social engagement, inviting collaboration with individuals, communities, and institutions in the creation of participatory art.” – Wikipedia

Written, photographed and SEO by DoN except where noted.

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Sachs Collection, Gerhard Richter

Gerhard Richter, Piz Lagrev1995, oil on canvas. Promised gift of Keith L. and Katherine Sachs.

Embracing the Contemporary, Sachs Collection at Philadelphia Museum of Art

DoN confessed his love of Gerhard Richter to Katherine Sachs, sharing how being a Richter apologist for some folks can be difficult. I asked her, as a collector, if she gets that kind of push back from friends?

“Not with Richter, not as much, I mean there are a lot of other artists you get push back.”

Like Cy Twombly?

“That’s a good one.” We both cracked up laughing. “Sometimes it takes a learned response. But Richter’s are unbelievably wonderful; if you know about the process and the way he makes it, it makes sense. And if you also understand where it all comes from, people realize that it’s actually based in reality. Then they have a better understanding. It’s kind of an abstract photographic take on reality.”

I think that a lot of people don’t realize that these are all pre-computer. It’s not photoshopped.

“Yes. It’s a combination of the way the artist sees the subject and that, sometimes, it’s what he does with it. Whatever medium it is that he uses.”

It’s all about the medium.

Embracing the Contemporary: The Keith L. and Katherine Sachs Collection at Philadelphia Museum of Art

Through September 5, 2016, Dorrance Galleries and The Keith L. and Katherine Sachs Galleries, Philadelphia Museum of Art

“Embracing the Contemporary celebrates the remarkable collection of Keith L. and Katherine Sachs and their transformative gift of nearly one hundred works to the Philadelphia Museum of Art in 2013. The Sachs Collection is one of the finest private collections of contemporary art in the United States and is presented publicly here for the first time.” – Philadelphia Museum of Art

#EmbracingtheContemporary

Facebook: philamuseum; Twitter: @philamuseum; Tumblr: philamuseum; YouTube: PhilaArtMuseum; Instagram: @philamuseum

Written by DoN Brewer. (except where noted)

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Lilliana Didovic, Main Line Art Center

Lilliana Didovic, Written Walls, acrylic on canvas, 24″ x 30″, Main Line Art Center

Perceptions of Reality and Dreams, Lilliana Didovic, Main Line Art Center

In the land of gods and monsters is a secret place that only the believers can go. If you suspend imagination and ride the gravity waves, the world is beautiful in every way, reality is what you make of it. In Written Walls, Lilliana Didovic visualizes the beauty that once was, still is, and will be of Philly’s Strawberry Mansion neighborhood. The graffiti translates into a love letter, like a Valentine’s card; hugs not drugs. Signs of life glitter and shine in the gallery lights, the wonky fire hydrant the color of a kiss, electric lines sizzling with black power overhead.

The artist reveals the garish glamour of hood life, the street art and layers of architecture are lively and informed with potential and joy. The international symbol of oppression, a razor wire swirl, marks the landscape as a sign of independence, privacy and freedom, adding layers of meaning to the meme. Lilliana loves Philadelphia, unconditionally.

Lilliana Didovic, Main Line Art Center

Lilliana Didovic, Main Line Art Center, Perceptions of Reality and Dreams

“Perception of Reality and Dreams is a solo exhibition by Lilliana S. Didovic, with guest Nina Radovic. Didovic exhibits a dazzling series of her recognizable large-scale paintings that celebrate color, the city of Philadelphia, and the incredible will of the human spirit. Perception of Reality and Dreams will be on view through July 18, 2016 as part of Main Line Art Center’s Summer Gallery Rental Series.” – Main Line Art Center

Lilliana Didovic, Main Line Art Center

Lilliana Didovic, Main Line Art Center

John, pictured above, is the Didovic family’s first friend in Philly, he’s a DJ and set the mood of the sultry Summer evening  in Haverford with ballads and soft music. Good friends from all over Philly arrived to celebrate, not just art, but life, liberty and the pursuit of happiness. Of course, what looked like too much food and wine disappeared, and the space was alive with laughter, children and voices. The artist reception is meant to celebrate the artist, but Lilliana loves to celebrate her life, loves and friends.

All over the world people are experiencing war, Lilliana and Joseph escaped Sarajevo while cannons shelled their shining city from the hills. Imagine West Philly being blown up, Move style, bombs and bullets flying as you try to run away; Sarajevo was a metropolitan city not unlike Philadelphia. Now, imagine the boy you hid under a blanket in your escape from explosions has a dire emergency, a life changing turn of events that swirls like barbed wire around you. You have to be positive, right? You take action.

Friends, like John, love being around Lilliana and her family, the circle of friends ripples like a pond around them, venn diagrams overlap and new relationships formed in their wake. Imagine all the people touched by the Philadelphia story of a mom from Sarajevo who paints with joy in a hospital room to be by her son’s side. Fighting monsters with love, channeling the energy into art, Lilliana knows the potential of life and how to live fearlessly.

Lilliana Didovic, Main Line Art Center

Lilliana Didovic, Once Beautiful, mixed media on canvas, 40″ x 30″, Perception of Reality and Dreams at  Main Line Art Center

Lilliana Didovic, Main Line Art Center

Lilliana Didovic, Main Line Art Center, Perception of Reality and Dreams

Like a Howard Hodgkin painting, Lilliana explains with brush work the dark path she sometimes has to follow. Paint communicates in a language of symbols, marks and smears representing events and experiences, like abstract landscapes on a road to the unknown. There are a pair of canvasses collocated with a large portrait by guest artist Nina Radovic that reflect an unusual somberness. But even though the path forward is dark, through experience, the artist knows there is beautiful light ahead if you believe.

lilliana7

Lilliana Didovic, Main Line Art CenterPerception of Reality and Dreams

Lilliana Didovic, Main Line Art Center

Lilliana Didovic, Main Line Art CenterPerception of Reality and Dreams

Gordan is the light of Lilliana and Joseph’s life, no inconvenience prevents exploration, participation, and experiences to last a life time. Lilliana told me everything she does is for him. Almost all his life functions are now supported, Gordy’s doctors, his best friends, attended the reception. They are part of the family of artists, too, who enrich his life.

Sometimes I have a difficult time making art, inspiration is lazy, but Lilliana takes her supplies with her to the hospital when she stays with Gordy. Sometimes she encamps there for months on end. Creating colorful, expressionist art to the rhythm of ventilators, pumps and monitors, Lilliana finds a peace of mind allowing the dream imagery to flow into art. It’s a beautiful world we live in, gods and monsters and all.

Thank you so much to Main Line Art Center for their handicap accessibility, the accommodation brings together everybody.

Main Line Art Center
Main Line Art Center is located at 746 Panmure Road in Haverford PA, offers free parking, and is easily accessible from public transportation.

Gallery Hours
Monday – Thursday: 10 am to 8 pm
Friday – Sunday: 10 am-4 pm
Free and open to the public

 

Written and photographed by DoN Brewer. (except where noted)

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Artspace 1241, Stella Untalan

Artspace 1241, Stella Untalan, ink drawing

Artspace 1241, Brian David Dennis, Lesley Tao Mowat, Stella Untalan:

Being in the Woods

Being in the Woods unites Stella Untalan‘s ink drawings and Brian David Dennis‘ large cardboard construction titled, [bar], in a meta-magical art installation vibrating with the rhythms of the universe and nature. Minimalist drawings using walnut ink and a nib are serenely precise and flow with life energy. The repetition and hand/mind control pulses across the sheen of the paper like heart beats, the measure of time is palpable and flowing. Experiencing the drawings is like watching moonlight dapple the forest floor, the ebb and flow of water over rocks in a brook, and the strangeness of the pattern recognition. Each mark in the sequences captures a moment in time, memorialized with the utmost concentration and care, fading slowly across the span, then is reborn.

“I’ve created a series of drawings that are driven not by results but by process. Each of these drawings is made using the same ink, the same pen, the same unrelenting process. The results reveal themselves to be reminders of my walks and runs in the woods. The straight trunks making blurred lines that suggest motion, space, and time — a DNA image of being in the woods.” –Stella Untalan

Artspace 1241, Stella Untalan

Artspace 1241, Stella Untalan, ink drawings, Being in the Woods

Artspace 1241, Stella Untalan

Artspace 1241, Stella Untalan, ink drawings

Stella’s drawings are arrayed across the walls and bisect the space suspended from a taught cable using only monofilament, binder clips and mini clothes pins in a simple, unobtrusive design system. Walking among the drawings is like wandering through a strange forest of code and chaos, the paper softly reflects the light, the woody brown ink fading across parallel lines bring to mind chirps, tweets and buzzes of being in the woods. There is a serenity to the noisy silence of nature; bird calls, leaves rustling, branches scratching each other, my breath easy and full, blood gently pounding in my ears as I become just one element. The narrative is not about counting but a study of strange mathematics emanating from the artist’s liveness, energy and intellect.

Patterns emerge from the chaos then obscure themselves, morphing and changing across each of the drawings. The installation in the space adds another dimension to the holographic memory, an experience design, of the art, connecting new neural pathways to recollections. The suspended drawings are like looking into a pond, shiny and sleek, cloudy and confusing, with heavy bubbles popping and vanishing into ether, the paper given as much importance to the experience as the marks.

Artspace 1241, Stella Untalan

Artspace 1241, Stella Untalan, ink drawing, Being in the Woods

Artspace 1241, Brian David Dennis

Artspace 1241, Brian David Dennis, [bar]14’ W x 21″ D x 21″ H, corrugated cardboard, Being in the Woods

Floating on a long wall is a large, dramatic construction, like a great fallen tree trunk or a mysterious plank, made of corrugated cardboard. The artist uses the simple material as deftly as charcoal, sketchy and free, as precise as a stratum of geographic layers the paper speaks with energy and resilient power. By exploiting the familiarity of the materials, the monolithic construction attracts the imagination with surreal shape, pattern and texture. It’s like the molecules of the material are coagulating back into it’s original form, the geometry comes alive, each layer communicating in a digital language I don’t quite get. There is a powerful message coded in the artwork to think big with limited resources, explore the boundaries of the material world, and communicate with symbols, signs and ideas.

A state of being is established in the space, the [bar] finds a concentration of power and strength in such a simple form, like a lost beam floating down stream. The flow of dark and light, curves and lines, depth and breadth relates a feeling of social memory, bonded life forms and cooperation of energies in life. There is a liveness to the piece, a vibration emanates from across the room, echoing Stella’s drawings in a unique voice all it’s own. Time is stored like tree sap in the [bar], exploration is required, investigation and thoughtful contemplation follows a path through the mind of the artist.

Artspace 1241, Brian David Dennis

Artspace 1241,Brian David Dennis, [bar]14’ W x 21″ D x 21″ H,corrugated cardboard, (detail), Being in the Woods

“The piece will hover just off the wall surface. It is made of multiple layers of corrugated cardboard strips. The seemingly solid block protrudes from the wall at an angle, 21” deep on the left, tapering to 4” on the right.

I grew up in a house nestled at the edge of the forest. The woods were my favorite play ground. Happily building what I could with what was at hand, I learned to think big. I also learned that it was the making I enjoyed, completion was never the end game. [bar] suggests a segment of a much larger piece, displaced in time, lodged out of place. A small piece of what was never finished.” – Brian David Dennis

Artspace 1241, Brian David Dennis, Lesley Tao Mowat

Artspace 1241Stella Untalan, Brian David Dennis, Lesley Tao Mowat (click the pic)

Last Saturday night was sultry, the air thick with the scent of flowering trees, the almost Summer sun beating on my back as I walked down Bainbridge Street towards 1241 Carpenter, the darkness of night still hours away. The evening was fantastical, the balance of energy expended more than equaled to the energy absorbed. Lesley Tao Mowat designed a sound environment in the space, an exploration of rhythm and vibration, quiet yet persistent like drifting into a dream. The manipulated sounds, ethereal and rich, resonate with the art drawing the viewer into a deeper state of being. The ambient sound of the gallery goers mashed joyfully with the comforting music. The vibe was natural and encompassing like standing knee deep in a cool stream.

That night I was inspired by my friends and the power of our relationships. I felt happy, energized, satisfied with my life, the physics of the experience as validating as teamwork, soulful in the exploration of symbols, and miraculous in the coalition of our community. We love each other in a spirit of ambition, progressiveness and acceptance that is boundless. Being in the Woods explores the code embedded in our social consciousness to be sharing and carefree, holding and kissing each other in our joy of being surrounded by the persistence of life and love as our protection and solace.

EXHIBITION DATES June 11 – 25, 2016, Wednesdays and Thursdays 1:30 – 4 pm (or email for appointment)

LIVE PERFORMANCE / ARTIST TALK Thursday, June 23 / 6 – 7 pm

Artspace 1241, 1241 Carpenter St, Philadelphia, PA, 19146

Written and photographed by DoN Brewer. (except where noted)

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Alaska

May 26, 2016

Alaska Thunderfuck 5000 from the Planet Glamtron Alaska Thunderfuck, Haus of Ham at Kung Fu Necktie To say that I’m totally fan-girling over going to see Alaska Friday night is an understatement. I am obsessed. I wrote about her video Your Makeup is Terrible back in 2014 as the #2 video of the year. Since […]

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Momentum

May 10, 2016

Tilda Mann, Wave (Paradise Cove), oil on paper mounted on wood, Creating Momentum, Cerulean Arts Gallery Studio Creating Momentum, Cerulean Arts Gallery Studio At a recent award ceremony, where I was one of the photographers, I overheard a comment from a voice behind me. The man said to his companion, “I miss those days when […]

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Farben

April 30, 2016

180 Farben (180 Colors), Gerhard Richter, Philadelphia Museum of Art 180 Farben (180 Colors) While studying at the University of the Arts, one of my writing assignments was to sit and stare at one painting for an hour, take notes and write an essay.180 Farben (180 Colors) is included in the sensational International Pop exhibition at […]

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Rabbit

April 21, 2016

The Rabbit: Myths, Legends and Fairies at The Plastic Club I have a song ear-worming in my head, The Twinkle Song by Miley Cyrus. The annual costume party held at The Plastic Club has afforded me the opportunities to overcome stage fright in the past through public speaking, reading poetry and acting in skits. As a Beat Poet […]

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Home

March 22, 2016

Drew Leshko, ENROUTE, 16″ x 20 1/2″ Home is Where You Park It, Works by Drew Leshko at Paradigm Gallery + Studio Paradigm Gallery + Studio, 746 South 4th Street, Philadelphia, PA, 19147, “Home Is Where You Park It” works by Drew Leshko through April 16, 2016. Closing Reception Friday, March 25th • 5:30pm – 10:00pm Exhibition Hours Tuesdays, Thursdays, and […]

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